![]() ![]() the urinal or the bicycle wheel), but now it includes information, media, labor and services even land and natural resources are more available to a "readymade" prepackaged consumer market than in the past. ![]() What is a commodity, what do we define as predominate global commodities and how is this structure supported and maintained? The readymade object used to mean a simple appropriation of durable goods incorporated into the art frame (i.e. She argues that artists have turned the predominate question of the readymade inside out: from one that questions the nature of art, to one that questions the nature of the commodity. ![]() Uncommon Goods traces the current use of common materials in art as a renewed engagement with the readymade. Texts by: TJ Demos | Rachel Weiss | Timothy Miller Dirk Hoyer | Oliver Ressler & Dario Azzellini | Hernando Marcial Ricci Araujo, Lorenzo Ganzo Galarça, James Block, Manoela Guimarães Gomes, Edson Luiz André de Sousa, Sofia Tessler, Léo Tietboehl | Laia Manonelles Moner | Efrén Giraldo Quintero & Jorge Lopera Gómez | Kylie Banyard | Concepción Cortés Zulueta | Magdalena Schulz-Ohm | Nadja Gnamuš | Mercè Alsina | Antonio R. Understanding the symbolic as an expanded field that merges with the performative and the spatial, this issue also includes contributions that consider the utopian dimensions of political and communitarian practices. In this respect, it conducts a reflection on artistic practices and the expression of the utopian within contemporary visual culture. Within the framework of the 500th anniversary of Thomas More’s Utopia, REG | AC journal dedicates a monographic edition to NON-TEXTUAL UTOPIAS, seeking to reflect on utopias that are not based on the written text. ![]()
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